Hiratsuka: Ferry on the Banyu River and Distant View of Mount Oyama - Utagawa Hiroshige

Artist
Utagawa Hiroshige (1797–1858)

Title
Hiratsuka: Ferry Crossing on the Banyu (Babairi) River, with a Distant View of Mount Ōyama 

Series
Pictures of Famous Places of the Fifty-three Stations (Gojūsan Tsugi Meisho Zue), commonly known as the Upright Tōkaidō

Design Date
1855

Medium
Original Japanese color woodblock print (nishiki-e)

Format
Ōban tate-e (vertical format)

Paper Size
Approximately 14.25 × 9.875 inches

Description

This original 19th-century Japanese woodblock print is the 8th station from Hiroshige's celebrated Upright Tōkaidō series, published by Tsutaya Kichizō in 1855.

The station of Hiratsuka is depicted as a peaceful waterside landscape beneath the watchful presence of Mount Ōyama. Small boats drift across the calm river while travelers and fishermen go about their daily routines. A broad mountain range stretches across the middle distance, balancing the snow-capped peak of Fuji beyond. Rather than emphasizing the bustle of travel, Hiroshige captures a quieter moment, using expansive water, soft color gradations, and layered scenery to evoke the calm beauty of the Tōkaidō. The result is a composition that feels serene, spacious, and timeless.

Translation & Inscriptions

• Series: Pictures of Famous Places of the Fifty-three Stations (五十三次名所圖會)
• Station: Hiratsuka (平塚)
• Artist Signature: Hiroshige hitsu (廣重筆) — "Drawn by Hiroshige"
• Publisher: Tsutaya Kichizō (蔦屋吉蔵)

Condition

Good. Light to moderate age toning throughout with scattered handling wear consistent with age. Minor edge wear and small creases are present along the margins, with slight corner wear. Colors remain fresh and well preserved, with attractive bokashi (color gradation). Pencil notation appears in the upper margin. Dry adhesive residue is present on the verso from previous album backing.

About the Artist

Utagawa Hiroshige (1797–1858) was one of the greatest masters of Japanese woodblock printmaking and the artist most closely associated with landscape ukiyo-e. Best known for his poetic depictions of travel, changing seasons, and the quiet beauty of everyday life, Hiroshige transformed familiar places into deeply atmospheric works of art through his masterful use of composition, color, and weather. His celebrated series, including The Fifty-three Stations of the Tōkaidō and One Hundred Famous Views of Edo, became some of the most influential prints ever produced in Japan, inspiring generations of artists both in Japan and abroad. Today, his work is held in the world's leading museums and remains among the most admired and widely collected examples of Japanese printmaking.

About the Series

Pictures of Famous Places of the Fifty-three Stations (Gojūsan Tsugi Meisho Zue), commonly known as the Upright Tōkaidō, was designed late in Hiroshige's career, more than two decades after the enormous success of his original Hōeidō Fifty-three Stations of the Tōkaidō. By this point, Hiroshige had become Japan's foremost landscape print artist and had spent years revisiting the famous highway connecting Edo (Tokyo) and Kyoto through increasingly inventive series.

Rather than repeating his earlier compositions, Hiroshige reimagined the route in a bold vertical format. The taller designs allowed him to emphasize towering mountains, dramatic weather, expansive skies, and striking perspectives, creating prints that feel more immersive and expressive than many of his earlier landscapes. While the original Hōeidō series focused on the experiences of travelers along the road, the Upright Tōkaidō places greater emphasis on atmosphere, landscape, and the unique character of each station. Today, the series is admired as one of the finest examples of Hiroshige's mature style.