Nihonbashi: View of Dawn Clouds - Utagawa Hiroshige

Artist
Utagawa Hiroshige (1797–1858)

Title
Nihonbashi: View of Dawn Clouds

Series
Pictures of Famous Places of the Fifty-three Stations (Gojūsan Tsugi Meisho Zue), commonly known as the Upright Tōkaidō

Design Date
1855

Medium
Original Japanese color woodblock print (nishiki-e)

Format
Ōban tate-e (vertical format)

Paper Size
14.25 × 9.875 inches

Description

This original 19th-century Japanese woodblock print is the first design in Hiroshige's celebrated Upright Tōkaidō series, published by Tsutaya Kichizō in 1855.

Nihonbashi: View of Dawn Clouds depicts the official starting point of the Tōkaidō Road as another day begins in Edo. Merchants, travelers, and laborers crowd the famous bridge while boats move through the busy canals below. In the distance, Mount Fuji rises above the horizon, lending a sense of calm to an otherwise lively scene. Hiroshige balances the energy of the marketplace with the quiet permanence of the landscape, creating a composition that feels both vibrant and contemplative.

Translation & Inscriptions

• Series: Pictures of Famous Places of the Fifty-three Stations (五十三次名所圖會)
• Title: Nihonbashi: View of Dawn Clouds (日本橋 曙之雲)
• Artist Signature: Hiroshige hitsu (廣重筆) — "Drawn by Hiroshige"
• Publisher: Tsutaya Kichizō (蔦屋吉蔵)

Condition

Fair. Noticeable edge wear, including creasing, small losses, and tears along the margins and at the corners. Lower edge with a larger loss at center. Moderate overall toning and surface soiling consistent with age, along with scattered foxing and general handling wear. Colors remain reasonably strong despite the condition issues. Dry adhesive residue is present on the verso from previous album backing.

About the Artist

Utagawa Hiroshige (1797–1858) was one of the greatest masters of Japanese woodblock printmaking and the artist most closely associated with landscape ukiyo-e. Best known for his poetic depictions of travel, changing seasons, and the quiet beauty of everyday life, Hiroshige transformed familiar places into deeply atmospheric works of art through his masterful use of composition, color, and weather. His celebrated series, including The Fifty-three Stations of the Tōkaidō and One Hundred Famous Views of Edo, became some of the most influential prints ever produced in Japan, inspiring generations of artists both in Japan and abroad. Today, his work is held in the world's leading museums and remains among the most admired and widely collected examples of Japanese printmaking.

About the Series

Pictures of Famous Places of the Fifty-three Stations (Gojūsan Tsugi Meisho Zue), commonly known as the Upright Tōkaidō, was designed late in Hiroshige's career, more than two decades after the enormous success of his original Hōeidō Fifty-three Stations of the Tōkaidō. By this point, Hiroshige had become Japan's foremost landscape print artist and had spent years revisiting the famous highway connecting Edo (Tokyo) and Kyoto through increasingly inventive series.

Rather than repeating his earlier compositions, Hiroshige reimagined the route in a bold vertical format. The taller designs allowed him to emphasize towering mountains, dramatic weather, expansive skies, and striking perspectives, creating prints that feel more immersive and expressive than many of his earlier landscapes. While the original Hōeidō series focused on the experiences of travelers along the road, the Upright Tōkaidō places greater emphasis on atmosphere, landscape, and the unique character of each station. Today, the series is admired as one of the finest examples of Hiroshige's mature style.